Surreptitious

poetry

The most common use of surreptitious is with the -ly suffix: Surreptitiously.
But to use it as a noun, “He is surreptitious” is surely loquacious behavior.
However, I’ve been more interested in the root: Surrep-
which can sound like syrup depending on how you pronounce it.
Although there’s always been something unsavory (no pun intended) about syrup.
It lacks couth, where molasses, with similar viscosity, seems able to maintain integrity.
Syrup, or especially surrep- owns decidedly clandestine attributes.
I stole the idea of molasses, it seems to say, replacing it with an imposter.
And perhaps you aren’t even aware of the difference.

Crisp

poetry

According to etymology crisp is defined as meaning
“to become brittle”
though the use of brittle, I attest, would have to be its pejorative form.
Brittle’s connotations suggest something less desirable
as though calling a potato chip “brittle” would be an insult,
which is the highest of inconsistencies,
since I doubt anyone would want their chip soggy or leastways, malleable.
It is not a mistake that Chips and Crisp are nearly identical and easily mistaken in their spatial relationships:
The isss sounds with no ‘Z’ and the hard ‘P’ defends its case with its own onomatopoeia;
the sound of a chip crisply snapped;
or breaded and fried chicken crunching in my mouth;
or a hard pretzel crumbling over molars;
or glacial mountains thundering with a splash into the ocean;
or the popping of meat over a fire; edges browning, blackening until carbon laces the steak in gristle.

Crisp’s associations with brisk are prevalent.
A winter morning is both crisp, and brisk.
And the proximity of both words in tandem is utterly delicious.
Say it, you’ll see. Crisp. Brisk. Mmm.
The crisp briskness is a crisply aural sound;
the hard sucking of teeth in response to pain or in sympathy to it;
the crust of the snow that has melted and refrozen atop the powder;
the temporal slate that squirrels skitter over unimpeded by the snow’s depth.
My own boots, for a moment look like they will walk on water before crashing inward;
Snapping like a crisp chip, salt particles flinging into the air.

for things like this – an apology to historians

poetry

my lack of works surpassing
a single syllable seems consistently
to lead to poems with lines nearly
or at least visibly
unrelated
but the thoughts seem so tangible
when my fingers move and they spit themselves
out
before i manage to complete the thought
reminding me

i cannot think without these words
my thoughts do not form without me
speaking
farting
or writing

and button after button this
idea makes it into history.
something i’m writing
because i’m unable to simply
dwell on it